
The Enchanted April
Performances: 15-18 May 2024, Betchworth Village Hall
This production received a NODA Accolade of Excellence - read the review by Graham Botterill
Director: Jane Hogg
Four ladies who have only just met make a bold decision to escape the dire winter weather of 1920's London and rent a villa in Italy for the month of April. All have very different characters and backgrounds, but each has a deep dissatisfaction with their everyday lives.
Will their time together at beautiful San Salvatore help bring them the friendship, resolution, peace and most of all, love, they crave ? Join Lotty, Rose, Caroline, Mrs Fisher and assorted husbands on their Italian idyll to find out, in this gentle play adapted by Bonnie Roberts from the novel by Elizabeth von Arnim
Presented by arrangement with The Dramatic Publishing Company, Woodstock, Illinois

Cast
| Lotty Wilkins | Diane Mayall |
| Rose Arbuthnot | Jane Khan |
| Mrs Fisher | Jane Seymour |
| Lady Caroline Dester | Dee Coutts |
| Mellersh Wilkins | Neil Mayall |
| Frederick Arbuthnot | Kevin Hogg |
| Mr Briggs | Stephen Tickell |
| Francesca | Linda Slater |
| Domenico | David Ames |
Crew
| Sound & Lighting | David Ames, Julie Bickerdike, Roger Nelson |
| Sound design | Kevin Hogg |
| Set design | Jane Hogg |
| Set construction | Kevin Hogg, Gerald Hulf, Tracey Hulf, Stephen Tickell, Neil Williams & the Company |
| Stage management | Kevin Hogg, Stephen Tickell |
| Costume | Jane Hogg and the Company |
| Prompt | Trish Finch |
| Front of house | Joanne Packham |
| Poster and programme design | Josh Packham |
| Photography | Geoff Martin |
Last Woman Working
Performance: Southern Counties Drama Festival, 20 Feb 2024
Director: Stephen Tickell
This one-act play by Michael Pearcy is set in an ordinary town in the not too distant future, when AI and robots have taken over almost every job. Desperate to save hers, Barbara confronts her MP Peter at the weekly surgery. He and his agent Vanessa try to persuade Barbara to settle for 'end of work training', however she is determined to make a stand and has some surprising tactics up her sleeve, as well as unexpected support. The consequences are entertaining, but there's also an underlying serious and topical message. Contains strong language
Presented by arrangement with Lazy Bee Scripts

Cast
| Peter Warrington | Gerald Hulf |
| Vanessa Broad | Linda Slater |
| Barbara Wooley | Tracey Hulf |
| Joan Pickle | Diane Mayall |
| Fred Pickle | Roger Nelson |
| Lilly (Barbara's daughter) | Kelly Cross |
Crew
| Stage Manager | Julie Bickerdike |
| Sound | Stephen Tickell |
| Crew | Dee Coutts |
The Matchgirls
Performances: 15-18 November 2023, Betchworth Village Hall
Director: Alison Cooper
Musical Director: Ian Stone
A rarely-performed musical by Bill Owen and Tony Russell. In 1888 female workers at the Bryant & May match factory in one of the poorest areas of East London went on strike for fair pay and safer working conditions. Many had been seriously affected by contact with white phosphorus (causing conditions such as ‘phossy jaw’) and the low wages were reduced even further by frequent fines. For more historical background visit matchgirls1888.org
Written in the 1960s, The Matchgirls dramatizes their struggle which attracted public support and resulted in historic new rights being established - eventually the use of white phosphorus was banned. Despite the subject and the grim setting, the musical contains plenty of humour and upbeat songs, as the traditional Cockney spirit rises above the darkest moments
Presented by arrangement with Concord Theatricals Ltd. on behalf of Samuel French Ltd.
The production was reviewed for NODA by Graham Botterill

Cast
| Kate | Kelly Cross |
| Polly | Jane Khan |
| Mrs Purkiss | Sarah Esser-Haswell |
| Old Min | Diane Mayall |
| Jessie | Christina Usher |
| Maggie | Joanne Packham |
| Beattie | Julie Bickerdike |
| Winnie | Linda Slater |
| Nell | Emoke Soproni |
| Dot | Tracey Hulf |
| Louie | Georgia Bishop |
| Mrs Harris | Jane Johnson |
| Ruby/Scots girl | Dee Coutts |
| Joe | Stephen Tickell |
| Perce | Peter Telford |
| Bert | Gerald Hulf |
| Fred | Roger Nelson |
| Tom/Mr Mynel | Peter Thomas |
| Mr Potter | David Eccles |
| Annie Besant | Jane Seymour |
| Paula Westerby | Jane Flanders |
| George Bernard Shaw | Julian Edney |
Production Team
| Lighting | David Ames |
| Stage Manager | Julian Edney |
| Set & costume design | Alison Cooper |
| Set construction | Julian Edney, Gerald Hulf, Tracey Hulf, Stephen Tickell |
| Set painting | The Company |
| Makeup | Julie Bickerdike |
| Front of House | Julie Bickerdike, Selena Edney, Jane Flanders Neil Mayall, Lynda Barrett-Mercer |
| Box Office | Sam Stevens |
| Poster design | Stephen Tickell |
| Programme | Josh Packham |
| Dress Rehearsal photos | Geoff Martin |
New here ?
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BODS is a small society and we always welcome new members, whether you want to appear on stage or help backstage and front-of-house. For those wishing to perform, the questions+answers below may be useful. You can also find out more about our history, past productions and how to join us
How much does it cost ?
Subs are £20/year, running from January to December. When performing in a musical or play you will normally be asked to pay a 'production fee' as well. This covers costs such as costume hire, so the amount varies between shows but is typically £20-30
Will I have to audition ?
Auditions are held after the initial introductory evenings so that a cast list can be finalized as quickly as possible - although we always try to accommodate anyone who can't make the introduction/audition evenings, and on occasion parts may be filled by invitation afterwards.
For plays, the audition is usually combined with one or more open script readings, where all those interested are invited to take different parts in turn so the director can assess them.
For musicals, those auditioning for principal roles are expected to sing a solo with accompaniment, (sometimes reading passages of dialogue as well) and you can be considered for more than one role if you wish. There is usually a 'chorus' of people singing together, which anyone is welcome to join without audition.
We appreciate there are often some who will be disappointed not to get the singing or speaking part they wanted, but feel that the process is as fair and open as we can make it, with no special preference given to long-standing members. In all cases the director has the final decision on casting as they are responsible for the artistic standard of the production
Do I have to read music ?
For a musical everyone in the cast will be provided with a vocal score to borrow or buy, so it certainly helps if you can follow this, particularly where there are harmonies such as SATB (Soprano Alto Tenor Bass). But not all shows involve harmonies and there are plenty of other ways to learn the music - often with popular works there are rehearsal tracks for each part readily available, or we can help with recording your own tracks
Where do you perform ?
Productions are nearly always at Betchworth Village Hall which can accommodate an audience of up to 100. In common with many other halls the dressing room facilities are quite limited - basically the back room - and the stage is not very deep. But we're able to store scenery and build an extension for most shows, it has proper curtains, and there's good provision for stage lighting. There's also comfortable seating and facilities for a bar to serve the audience, an important part of any show !
Where and when do you rehearse ?
Rehearsals usually start at least 3-4 months before performances, and are held once or twice a week. Normally they will be Tuesday evenings in the back room at Betchworth Village Hall and/or Wednesday evenings at Reigate Methodist Church. It's not expected that everyone will attend every rehearsal, but in the week of the show there will be at least a technical and a dress rehearsal which are the first opportunity for a full run on stage - so all cast are required. At the start of rehearsals the director distributes a schedule showing who is required on each date, taking into account availability, and in a musical there will be fewer rehearsals for the chorus than the principals
Do you have an orchestra ?
BODS hasn't had an orchestra for many years, with recent musical performances instead being accompanied by piano or keyboard, and occasionally one or two other musicians. This is quite adequate for the size of the hall and also allows more space for the audience
Will I have to wear make-up ?
Nearly all our productions involve at least some stage make-up, which makes features and expressions more visible to the audience at a distance and sometimes allows the actor to significantly alter their appearance. There will be make-up provided and someone backstage to help apply it if you wish
Can young people take part ?
Because of safeguarding regulations we can't have any performers under 18 at the time of the show. Apart from chaperoning requirements, there would have to be separate segregated dressing rooms which is impossible in the space available at the hall. There are other local groups such as Youth East Surrey Performing Arts who are specifically organized to accommodate children and young people





































































































































































































